Sarasota Wedding Photographer

A man on one knee proposing on the sand at Venice Beach, the fishing pier behind him and the Gulf turning pink at sunset.

I've photographed more than 300 weddings since 2012 — ballrooms, barns, backyards, a castle, and more than a few in the rain. In 2025 I moved to Sarasota. The first thing I shot after getting here was a surprise proposal on the sand at Venice, fishing pier standing behind them.

Most of the photos on this site are from the Northeast, because that's where most of those 300 weddings happened. I'd rather say that plainly than let you wonder about it. What changes down here is the light and the water. What doesn't change is how I work, and after fourteen years of this, how I work is pretty well settled.

What a day with me actually looks like

I shoot mostly documentary. That means I spend the day watching rather than arranging, and the pictures you end up with are of things that happened, not things I set up.

The exception is portraits, and I'm direct about those. Twenty to thirty minutes with the two of you, thirty with family groups if the list is reasonable. I'll tell you where to stand and then mostly get out of the way. Nobody needs an hour of being posed at their own wedding, and the pictures get worse after the first twenty minutes anyway.

I'm not silent and I'm not invisible. I'll talk to your grandmother. I'll find your dad when the toasts start. If the timeline is falling apart — and it slips somewhere at nearly every wedding — I'll tell you what I'd cut, because I've watched the same twenty minutes disappear a few hundred times and I know which twenty minutes you'll actually miss.

The other thing I do that isn't really photography: I help you build the timeline before the day. Sunset times, how long family photos take, whether you want a first look. It's free, it takes an hour on a call, and it's the biggest single difference between a day that feels rushed and one that doesn't.

A father seen in a mirror, looking down, with his daughter in her wedding dress reflected behind him.
Bridesmaids in white gathering their dresses and hurrying up the stone steps of a church behind the bride.
A bride dancing with her father under a tent, string lights and candles out of focus in the foreground.

Where I shoot

Sarasota County and everything around it — Siesta Key, Lido Key, Longboat Key, Bird Key, downtown Sarasota, Venice, Nokomis, Osprey, Bradenton and Lakewood Ranch. No travel fee inside that radius.

Beach ceremonies, private estates, hotels, backyards, museum grounds.

Gulf Coast weddings have two things Northeast weddings don't, and both are worth planning around. Sunset is the best light of the day and it moves by almost two hours across the year — a 6:15 ceremony in December and a 6:15 ceremony in June are completely different pictures. And in summer it rains most afternoons, usually for about twenty minutes. Neither is a problem if you know it's coming. I wrote up what actually happens when it rains on a Florida wedding day.

Am I the right photographer for you?

Probably, if you want the day to look like it felt. If you'd rather spend twenty minutes on portraits than ninety. If you want someone easy to have around, because I'm going to be around for seven hours.

Probably not, if you're after heavily styled work — every frame lit, posed and retouched to a magazine finish. That's a real craft and there are people here who do it well. It just isn't what I do, and you'd be paying me to be someone else.

Every couple is welcome here. I've photographed a lot of LGBTQ+ weddings and I'll shoot yours the same way I shoot everyone's — by paying attention. No separate page, no separate rate, no assumptions about who's getting ready where.

A groom kissing his bride's temple while she smiles at the camera, close, in black and white.
A bride laughing up at her groom in tall ornamental grasses, late afternoon light behind them.
A groom in a navy suit kissing his bride's cheek in a garden, string lights strung overhead.
A groom in a navy suit kissing his bride's cheek in a garden, string lights strung overhead.

What it costs

Wedding coverage starts at $3,600. That includes seven hours on the day, an engagement session, your full gallery — usually 600 to 900 images — and a print release — so you can order prints anywhere you like, from anyone you like.

Most couples land between $3,600 and $5,500, depending on hours and whether they add a second photographer or an album. Eloping or planning something small? That starts lower — send me a note and I'll quote it.

I put the number here because I'd rather you know now than three emails in. If it's not the right fit, no hard feelings, and I'm happy to point you toward someone whose work I like. Full breakdown is on the investment page.

I travel

I'll go anywhere. Florida is home now, but I still shoot in the Northeast regularly and I'm glad to get on a plane.

That's also the honest explanation for the portfolio: those weddings aren't archive material, they're the range. A Connecticut barn in October and a Siesta Key beach in April are different problems to solve, and I've done enough of both to be useful either way.

If you're getting married somewhere else and want me there, ask. Travel is quoted at cost, not marked up.

A bride and groom outside a red New England barn, autumn foliage and ornamental grasses around them.
A wedding ceremony on a lawn above the ocean in Maine, guests standing as the couple exchange vows.

Questions couples ask me

How long until we get the photos? I promise six to eight weeks. It's usually four to six. You'll have a preview set within a few days — normally before you're back from your honeymoon.

How many photos do we get? Six to nine hundred for a seven-hour day. I quote fifty to seventy-five an hour and I've never once come in at the bottom of that. Every one edited — I don't hold back a "best of" set and sell it separately.

Do we get a second photographer? Not in the base collection — it's an add-on. For weddings over about 120 guests, or any day where you're getting ready in two different places, I'd recommend it. Ask me and I'll tell you honestly whether your day needs one.

Do you have backup gear? Two cameras on me all day, and every card is written to twice as I shoot. In fourteen years I've never lost a frame, and that's the redundancy, not luck.

What if it rains? We shoot anyway. Gulf Coast storms move fast — most of the rainy weddings I've photographed were rained on for about twenty minutes. Here's the longer answer.

Can we meet first? Please. A twenty-minute video call tells you more than any website will, mine included. There's no pitch on it.

Wedding guests and the bridal party hurrying up stone steps toward a large shingled house in visible rain.
A bride and groom holding hands with their foreheads together, garden lights soft behind them.

Let's talk

Send me your date and where you're thinking. I'll tell you if I'm free and roughly what your day would cost, and I answer everything within 24 hours.

If you're early on and just want a photographer's read on a date or a ceremony time, that's fine too. I'm happy to talk it through whether or not you end up hiring me.

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